Please reference “Error Code 2121” when contacting customer service. Her motto is, 'I hated climbing those stairs more than anything.

And yet the last scene was uplifting.

Lovely. (I may make a bigger review some day), this is my first experience of naruse and in fact his only film that's widely available in the u.s. this is a shame as i found it to be a masterpiece on the level of ozu or mizoguchi. (Keiko is nicknamed Mama due to her advanced age of thirty.) Directed by Mikio Naruse. Coming Soon. | Rating: 5/5 I must admit this is the first movie I see from Mikio Naruse.

And I was pleasantly surprised. So, the film is a sad one; not as sad and downbeat as Theo Angelopoulos's Trilogy: The Weeping Meadow, but perhaps even more depressing because, whereas the female heroine of that film fully earns the viewers' sympathies for all she has suffered needlessly, Naruse's heroine, by virtue of helping to fix her own sad state, does not even garner the grace of pity from most viewers. It's almost like the problem of Lily in Edith Wharton's "The House of Mirth." Just below that it reads "Ticket Confirmation#:" followed by a 10-digit number. Fundamentally, Mama-San is a woman who hates the life she has chosen but feels powerless to move on and Hideko Takamine, (from "Floating Clouds"), is superb in the role. Mikio Naruse's When a Woman Ascends the Stairs is an exquisite character study about a woman caught in a trap of financial obligations who is forced to perform a job she dislikes in order to stay afloat. Please click the link below to receive your verification email. But proof of the correspondence occurs earlier: when Keiko is talking at night on the street in the Ginza with the man, a customer, she wants, on an illuminated sign in the background is the name "Cabiria.". "When a Woman Ascends the Stairs" is, quite simply, a thing of beauty and brilliance, and it is a great work of art. Widow Keiko (Hideko Takamine) is a well-liked and decently paid bar hostess, but greedy relatives and ill-advised affairs leave her lonely and facing debts.

| After being tricked by a womaniser, and then taken to bed forcibly by a besotted lover, she comports herself with great dignity as she comes to bid farewell to this lover and his family at the train station (he avoids looking at her out of shame and embarrassment), and then returns to her life with a brave smile. Viewed on DVD. Awards Shot in luminous black and white cinemascope, this is an exquisitely understated study of the plight of a young woman in an unforgiving society. We won’t be able to verify your ticket today, but it’s great to know for the future.

Fall TV First Look: Find Out What’s Coming, The Best Peacock Original Shows and Movies, All Upcoming Disney Movies: New Disney Live-Action, Animation, Pixar, Marvel, and More. When A Woman Ascends The Stairs; When A Woman Ascends The Stairs Review. Her rationale, as example, for turning down Komatsu's proposal of marriage- the second such proposal she's received in a brief period, is simply silly, and a cover for her own willful pride and arrogance. overall an excellent film for any fan of good female leads or japanese cinema. It's very well acted and filmed. She has her opportunities, but ignores some, and squanders others. the main plot however was developed perfectly and the film gets its point across with beauty. Widowed Tokyo bar hostess Keiko is in her thirties and thinking about her limited choices. We want to hear what you have to say but need to verify your account. The money-grubbing realities of late 1950s Tokyo make for riveting viewing in Naruse's naturalistic classic. If he is, to her, the embodiment of the Ginza, and she must thus reject his advances, then why does she go back to the lifestyle she claims to detest? | Business has been off recently due to one of the big spenders, Minobe(Eitaro Ozawa), bringing his business to a new bar run by Yuri(Keiko Awaji), one of Keiko's former co-workers. Keiko, also known as mama, is one of those truly unforgettable characters who you swear must exist somewhere out there in the real world. Read Full Review.

When a Woman Ascends the Stairs (Cert PG) Peter Bradshaw @PeterBradshaw1. It's the story of a woman, Mama, who has worked as a hostess in a Ginza bar for some time and she longs to leave the life. But, for every step forward she takes, there is yet another setback. [/font] We want to hear what you have to say but need to verify your email. Having watched and enjoyed Mikio Naruse's LATE CHRYSANTHEMUMS, I was hoping WHEN A WOMAN ASCENDS THE STAIRS would be of a similar quality. [/font]. Line readings are easily understood, sound is consistently clear, and subtitles are fine. | Fresh (15). a patient, emotional, and highly effective portrayal of the struggle of a virtuous woman in a not so virtuous world. However, despite hating the life, she also tries to uphold her standards and, unlike some hostesses, she doesn't sleep with her clients. Reviewed by: Jennie Kermode. The film stars Hideko Takamine, Naruse's muse, as Keiko, the Mama-San of a Tokyo bar.

She could open her own bar but this would require financial help from clients and perhaps favors she is unwilling to give, or she could get married, but that would mean breaking a vow to her late husband that she would never love another man. By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie. There are no approved quotes yet for this movie. The image is an example of a ticket confirmation email that AMC sent you when you purchased your ticket. |, October 2, 2019

The film is breathtakingly shot in widescreen black and white, adding to the film's already bittersweet poignancy. Your AMC Ticket Confirmation# can be found in your order confirmation email. User Ratings Cinemark Hideko Takamine is simply brilliant in her evocation of a madame in the ginza bar district, where businessmen go in the after-hours for drinks, flattery, and anything else they can get their hands on. |

She copes with demanding employers, unscrupulous rivals, and a family that depends on her. FAQ External Reviews The percentage of Approved Tomatometer Critics who have given this movie a positive review. [font=Century Gothic][/font] The style of our director is their with the way she films it, and she tends to make more use of shadows for more reason one can see while watching. It de-glamorizes these women and helps create a sense of empathy for them--particularly Mama, who the audience can't help but like.

Sign up here. Although Keiko doesn't hate her work, she doesn't enjoy it either. Coming Soon. Release Date: 28 Jun 2007. It's truly horrible. it's interesting so many of their films revolve around female characters. It's satisfying to learn that there were filmmakers out there who had their cinematic stuff together enough to do films like this. But once I was up, I would take each day as it came.'. |, April 26, 2007 Beautiful film about a ginza bar girl approaching the age of thirty - an age at which, she claims, a girl of her profession can either "get married or open a bar of her own." Verified reviews are considered more trustworthy by fellow moviegoers. Hopefully the release of this film in a DVD box set together with "Floating Clouds" and "Late Chrysanthemums" will rectify. Played with an affecting blend of dignity and despair by Hideko Takamine, the trials of a bar hostess in Tokyo’s Ginza district recall those of Giulietta Masina in Fellini’s Nights Of Cabiria (1957), released three years earlier.

|, June 29, 2007 This film reminded me most of Italian neo-realist films like "Umberto D" and particularly, "Nights of Cabiria," because it focuses on the struggles of average people who are perhaps on the fringes, the subject being a bar hostess. I know, because I witnessed it firsthand, on a daily basis. All Critics (15) Japan's persistent paternalistic culture is tightly woven into the script. the film features some of the great and familiar actors from this era of japanese cinema and just about every aspect of the film was performed well. meanwhile you'd be hard-pressed to find a single decent female character in most of kurosawa's work, [font=Century Gothic]In "When a Woman Ascends the Stairs," Keiko(Hideko Takamine) is a widow who works as a hostess at the Lilac Bar in the Ginza Strip in Tokyo while desperately trying to hold onto her self-respect. There is a naturalism to Naruse's film that American melodramas lack and it's this naturalism that lifts it out of being mere melodrama and into the realms of tragedy. Bauer Media Group consists of: Bauer Consumer Media Ltd, Company number: 01176085, Bauer Radio Ltd, Company Number: 1394141, Registered Office: Media House, Peterborough Business Park, Lynch Wood, Peterborough, PE2 6EA H Bauer Publishing,Company Number: LP003328, Registered Office: Academic House, 24-28 Oval Road, London, NW1 7DT.All registered in England and Wales.

The central character is a barmaid, who works day … Movies: When A Woman Ascends The Stairs; Keiko, 'Mama', is a 30 …

Onna ga kaidan wo agaru toki (1960), directed by Mikio Naruse, was shown in the United States under the title "When a Woman Ascends the Stairs." |, June 29, 2007 June 29, 2007